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タイトル
  • 表現と規範、表象とシンボル:文化社会学のテーマ
その他のタイトル
  • Expression and Norm, Representation and Symbol: Themes of Cultural Sociology
作成者
主題
  • Other Expression
  • Other Norm
  • Other Memory
  • Other Symbol
  • Other Cultural Sociology
  • Other 表現
  • Other 規範
  • Other 表象
  • Other シンボル
  • Other 文化社会学
内容注記
  • Other type:Article
  • Other This paper attempts to examine a relation between“expression"and“norm,"a relation between“representation"and“symbol,"by scrutinizing some concrete cases such as aesthetic styles (Iki and Amae), evaluative patterns (noblesse oblige concepts in Ortega, Hagakure, Bushido and Mishima), representation-images (memories of incident and disaster), and symbolic structures(Kata of Kabuki and Kata Culture). Thus, the four (theoretical) themes of cultural sociology, and the two relations among them could be presented. The process of discussion as follows. First, theme of Expressive Culture is discussed. Iki and Amae are oppositional pattern of expressive culture in terms of interaction pattern (Dualism-Orientation / Communion-Orientation), aesthetic standard (Affective Neutrality /Affectivity), moral standard (Self-Orientation / Collectivity-Orientation), and institutional standard (Universalism / Particularism). Secondly, theme of noblesse oblige as a combination of Expressive Culture and Normative Culture is discussed. As a result, it may be said that on the one hand, noblesse oblige has an ascetic and obligatory aspect, but on the other hand, an active and expressive aspect. Thirdly, theme of collective memory ( representational culture) of incident and disaster. One of memories of“Ako Vendetta"had been constructed as“Gishi or Loyal Retainer"within the “Samurai honor culture"framework. And a memory of “Isewan Typhoon"had been constructed within“Kutsu Mound"framework composed of various ideas and images. Fourthly, theme of opposition and crossing of representation s, in other words, theme of opposition and crossing of“Ichibun or Honor"and“Kousyokuyosei or Love Affection."Kabuki media as Kata drama connote the aesthetic forms of oppositions found in Chūshingura and Sonezakishinjuu. From the above discussions it follows that we must regard the action-theoretic relation between the expressive and the normative, and, the semiotic-symbolic relation between the representational and the symbolic as the main themes of cultural sociology.
出版者 奈良女子大学社会学研究会
日付
    Created2013-05-30 , Issued2013-03-01
言語
  • jpn
資源タイプ departmental bulletin paper
出版タイプ VoR
資源識別子 URI http://hdl.handle.net/10935/3426
収録誌情報
    • NCID AN10436699
    • ISSN 1340-4032
      • 奈良女子大学社会学論集
      • 20 開始ページ3 終了ページ21
ファイル
コンテンツ更新日時 2021-04-13