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タイトル
  • en Cues for key perception of a melody: Pitch set alone?
作成者
アクセス権 open access
主題
  • NDC 761
内容注記
  • Abstract en STUDIES HAVE SHOWN THAT PITCH SET, which refers to a set of pitches of constituent tones of a melody, is a primary cue for perceiving the key of a melody. The present study investigates whether characteristics other than pitch set function as additional cues for key perception. In Experiment 1, we asked 13 musicians with absolute p itch t o select k eys for 60 stim ulus t one sequences consisting of the same pitch set differing in pitch sequence. In Experiment 2, we asked 31 nonmusicians to select tonal centers for the 60 stimulus tone sequences. Responses made by the musicians and the nonmusicians yielded essentially equivalent results, suggesting that key perception is never unique to musicians. The listeners' responses were limited to a few keys/tones, and some tone sequences elicited agreement among the majority of the listeners for each of the keys/tones. These findings confirm that key perception is not only defined by pitch set but also influenced by characteristics other than pitch set such as pitch sequence.
出版者 en University of California Press
日付
    Issued2005-12
言語
  • eng
資源タイプ journal article
出版タイプ VoR
資源識別子 HDL http://hdl.handle.net/2115/8536
関連
  • URI http://caliber.ucpress.net/loi/mp
  • isIdenticalTo DOI https://doi.org/10.1525/mp.2005.23.2.153
収録誌情報
    • PISSN 0730-7829
      • en Music Perception
      • 23 2 開始ページ153 終了ページ164
ファイル
コンテンツ更新日時 2023-07-26