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タイトル
  • ja 韓国映画の「植民地もの」における脱ナショナリズムの隘路 : 『軍艦島』の「親日派」表象をめぐって
  • en The narrow path to de-nationalisation of South Korean ‘colonial piece’ films : on the representation of ‘pro-Japanese collaboration’ in “Battleship Island”
作成者
    • ja 芳賀, 恵 en HAGA, Megumi
アクセス権 open access
主題
  • NDC 361
内容注記
  • Abstract en This article examines the narrow path to de-nationalisation in South Korean films dealing with the Japanese colonial period since the 2000s that we call ‘colonial pieces’. Based on Ryu Seung-wan’s “Battleship Island” (Gunhamdo, 2017) situated during Korean mobilization under colonial rule, we argue that it is possible to clarify the style and strategy of visual representation used to replace the dichotomy of victimizers (Japan) and victims (Korea) in recent ‘colonial piece’ films. By focusing on the representation and its stylistic aspects of “Battleship Island” in relation to the empire of Japan through the periodical transition of political, social and cultural meaning, this article explores the way in which these films act on the process of reproducing colonial memories in Korean society and the historical issue between Japan and Korea, as a postcolonial problem of cultural and social politics.
出版者 ja 北海道大学大学院国際広報メディア・観光学院 en Graduate School of International Media, Communication, and Tourism Studies, Hokkaido University
日付
    Issued2018-03-20
言語
  • jpn
資源タイプ departmental bulletin paper
出版タイプ VoR
資源識別子 HDL http://hdl.handle.net/2115/68725
収録誌情報
    • NCID AA1224631X
      • ja 国際広報メディア・観光学ジャーナル en The Journal of International Media, Communication, and Tourism Studies
      • 巻26 開始ページ3 終了ページ19
ファイル
    • fulltext 3-19_Haga.pdf
    • 2.29 MB (application/pdf)
      • Issued2018-03-20
コンテンツ更新日時 2023-07-26